Sixties

Seventies

Eighties

Nineties

Early 2000

Twenty tens

Open for business – ‘Jim Marshall and Son’

A noisy revelation – amplifier ‘Number One’

The Mods and the Rockers battle on Brighton Beach

The Marshall stack powers the British Invasion

Jimi Hendrix takes Marshall international

Demand exceeds supply for Marshall

The summer of love

Skinheads and rude boys

The glam rock revolution brings gender subversion to pop music

A historic music venue opens in New York

Marshall comes ‘Alive!’ with the wall-of-amps phenomenon

Bowie and Iggy Pop touch down in Berlin

Disco transcends racial and sexual boundaries

Music unites to Rock Against Racism

A new innovation – the JCM800

Hardcore marks the evolution of punk

Marshall goes to Hollywood

Hip hop hits the mainstream

Slash, Marshall, and an appetite for amplification

East Germany’s war on punk

The riot grrrl manifesto

Marshall’s 30th is marked with a second Queen’s Award

Guitar music dominates on both sides of the Atlantic

Rave hits the charts as Marshall turns 35

Beijing punk makes the cover of Newsweek

The great indie revival

The Jim Marshall Charitable Trust and a meeting with the Queen

Emo goes mainstream

The wall of Marshall amps reinvented

From the stage to the people – Marshall Headphones

A blow-out at Wembley marks 50 years of Marshall

A chinese venue becomes an inter­national cultural melting pot

A new signing – Marshall records

By the ‘80s, hip hop was turning heads all across America, establishing a rebellious soundtrack for a generation exhausted by the Reagan administration. The song that solidified hip hop’s mainstream breakthrough was Run-DMC and Aerosmith’s 1986 collaboration ‘Walk This Way’, the video for which was put into heavy rotation by revelatory music television channel MTV. This was the moment hip hop culture was beamed into suburbia, forcing the masses to see that rappers could be rock stars, too.

			<blockquote>
				A groundbreaking collaboration with a serious street edge was born
			</blockquote>

			Originally released by big-haired rockers Aerosmith in 1975, ‘Walk This Way’ was a vivacious stadium anthem that revelled in the euphoria of a nerd hooking up with a girl on prom night. By 1986, legendary producer Rick Rubin had inspired Queens’ rap trio Run-DMC to freestyle over one of the song’s guitar riffs. A groundbreaking collaboration with a serious street edge was born.

The remixed and refreshed hit single peaked at number four on the Billboard 100, bringing two contrasting musical cultures together in the process. The widely-circulated music video, meanwhile, quite literally tore the walls down – as the flaws of genre and racial tribalism were exposed in a statement amplified by a wall of Marshall speakers. The symbolism of a rock band and a rap group playing on different sides of the same living room was important for the MTV Generation – and as rock gods of years gone by lurked among the audio samples, hip hop acts like The Beastie Boys and N.W.A. became icons themselves in the present.

<blockquote>
				By the ‘80s, hip hop was turning heads all across America, establishing a rebellious soundtrack for a generation
			</blockquote>

			The 1986 version of 'Walk This Way' revitalised Aerosmith’s career. It was also instrumental in enabling Run-DMC – already the first hip hop act to receive significant exposure on MTV – to become the first rap group to appear on the cover of Rolling Stone magazine. It remains the measuring stick of all rap-rock blends, despite admirable efforts from Del Tha Funkee Homosapien and Dinosaur Jr., Public Enemy and Anthrax, and Jay-Z and Linkin Park thereafter.